Giovanni Bellini
la Agustia en el Jardín
Agony in the Garden
Pintura identificación:: 52
1459 Galería Nacional ,Londres
El Greco
la Angustia en el Jardín
Agony in the Garden
Pintura identificación:: 19032
1595, engrasanen la lona, Museo de Toledo del Arte, Ohio
El Greco
la Angustia en el Jardín
Agony in the Garden
Pintura identificación:: 30539
el Petróleo mk68 en la lona 57x38 1/4 Cuenca 1605 Diocesano de Museo c.1600- España
El Greco
la Angustia en el Jardín
Agony in the Garden
Pintura identificación:: 30951
1605 mk68 c.1600-
MANTEGNA, Andrea
la Angustia en el Jardín
Agony in the Garden
Pintura identificación:: 33408
mk86 C. 1460 Témpera en la madera63x80cm Londres, la Galería Nacional
Francisco de Goya
la Angustia en el Jardín
Agony in the Garden
Pintura identificación:: 38270
mk132 1819 Engrasan en la lona 47x35cm
Andrea Mantegna
la Angustia en el Jardín
Agony in the Garden
Pintura identificación:: 40216
mk156 C.1459 Petróleo en Beaux-Artes de entrepaño Musee D de Viaja. Las visitas
Albrecht Durer
la Angustia en el Jardín
Agony in the Garden
Pintura identificación:: 42306
mk168221x156mm
Albrecht Durer
la Angustia en el Jardín
Agony in the Garden
Pintura identificación:: 42430
la Xilografía mk168 389x282mm
Albrecht Durer
la Angustia en el Jardín
Agony in the Garden
Pintura identificación:: 42442
mk168 1508 118x75mm
Date ca. 1510(1510)
Medium Oil on oak
Dimensions Height: 85 cm (33.5 in). Width: 63 cm (24.8 in).
cjr
1510(1510)
Medium Oil on oak
cyf
Titian
Agony in the garden
Pintura identificación:: 98309
oil on canvas, 76 x 136 cm, Prado Museum
cyf
1665(1665)
Medium oil on canvas
Dimensions Height: 126 cm (49.6 in). Width: 154 cm (60.6 in).
Adriaen van de Velde (bapt. 30 November 1636, Amsterdam - bur. 21 January 1672, Amsterdam), was a Dutch animal and landscape painter, son of Willem van de Velde the Elder and brother of Willem van de Velde the Younger, the marine painter.
Adriaen did not want to become a marine painter so he was trained in the studio of Jan Wynants, the landscape painter. There he made the acquaintance of Philip Wouwerman, who is believed to have aided him in his studies of animals, and to have exercised a powerful and beneficial influence upon his art. Having made exceptionally rapid progress, he was soon employed by his master to introduce figures into his landscape compositions, and he rendered a similar service to Hobbema, Ruysdael, Verboom and other contemporary artists. According to Houbraken, he died while in collaboration with Jan van der Heyden and Frederik de Moucheron, painting animals on their paintings.[1]
His favourite subjects were scenes of open pasture land, with sheep, cattle and goats, which he executed with dexterity, with much precision of touch and truth of draughtsmanship, and with clear silvery colouring. He painted a few small winter scenes with skaters, and several religious subjects, such as the Descent from the Cross, for a Roman Catholic hidden church in Amsterdam.
In addition to his paintings, of which nearly two hundred have been catalogued, he executed about twenty etchings, several of which appear from their dates to have been done in his fourteenth year. They are distinguished by directness of method and by delicacy and certainty of touch. Van de Velde lived in Kalverstraat, near the Regulierspoort.
Related Paintings to Adriaen van de Velde :. La Primavera (mk08) Emperor Nicholas II Loose multi-tile this Ahe rice Tash s vegetable garden Female image Sophia (the holy wisdom)
